I believe that the politics of intervention and the Kosovo war prompted a fresh resumption of the arms race worldwide.

For the US, the Kosovo War was a success because it encouraged the development of the Pentagon's 'Revolution in Military Affairs' (RMA). The war provided a test site for experimentation, and paved the way for emergence of what I call in Strategie de la deception 'the second deterrence'.

Let us start with the title of War and Cinema. The important part of the title is not War and Cinema.

France and Germany were opposed to a maritime blockade of the Adriatic Sea without a mandate from the United Nations (UN). So, what we witnessed in Kosovo was an extraordinary war, a war waged solely with bombs from the air.

Art is alive because it is mortal.

Cyberspace is acting like God and deals with the idea of God who is, sees and hears everything.

In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.