When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.

I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.

Our campaigns have always been based on what we consider music icons that transcend generations and they're not of the moment - they continue to evolve.

I just pretty much love from 1966 to 1972, that's my time. I think everything that needs to be said was said within that time. That's just a subjective thing, as well.

I love soul music, that's my real love in life and in whatever shape or form it is.

I wanted to make a record that sounded like a continous piece

I'm so lucky, I'm just really grateful for what I've got around me - children and my wife and everything else.