I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was like 10 years old, all I ever wanted to do was be in a band and make music. So to get the chance to do that, to live your dreams or wishes, I just seize it and try and run with it. I never sort of think, oh, the pressure, or it's too much. You're lucky to be doing it. It's a great gift to have, and I appreciate it.

It's important to know all those things, but part of our jobs is to move people along and to make people excited to buy music or buy clothes, and give them enjoyment, I think, too.

There's always something in most world folk musics that always seems connected; whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.

If you gave me a fresh carnation, I would only crush its tender petals.

I had a total belief in The Style Council. I meant every word and felt every action.

It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.