I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.

I don't like the royal family, I don't like the establishment, I don't like the civil service.

I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand; it just makes sense.

When I lived in a little flat in Pimlico in 1981, I'd write in the hallway. As you walked in, there was a tiny little recess type thing, hardly a hallway, really, and I'd sit there writing songs with my guitar.

A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.

I think the biggest influence for me is when I hear a great piece of music, whatever the style, I'm kind of inspired by that greatness and I'm inspired to try and obtain something that comes close to that greatness.

I still want to do what I want to do, but we also have to think about some sense of protecting the business that's out there as well.