Even somebody like The Black Keys or Royal Blood, they all have this original roots base to what they do.

I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.

It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'

I was always taught as a kid that if there's anything you want in life, you've got to work towards it. I guess that sort of stayed with me, really. But also, for me, from the time I was like 10 years old, all I ever wanted to do was be in a band and make music. So to get the chance to do that, to live your dreams or wishes, I just seize it and try and run with it. I never sort of think, oh, the pressure, or it's too much. You're lucky to be doing it. It's a great gift to have, and I appreciate it.

People say you make your best work when in despair, but I think happiness is a good place to write from.

I get labelled as just being about one thing, but there's lots of layers to what I do.

The '40s were quite austere and super glamorous.