Some feminist critics debate whether we take our meaning and sense of self from language and in that process become phallocentric ourselves, or if there is a use of language that is, or can be, feminine. Some, like myself, think that language is itself neither male nor female; it is creatively expansive enough to be of use to those who have the wit and art to wrest from it their own significance. Even the dread patriarchs have not found a way to 'own' language any more than they have found a way to 'own' earth (though many seem to believe that both are possible).

Breath is life, and the intermingling of breaths is the purpose of good living. This is in essence the great principle on which all productive living must rest, for relationships among all the beings of the universe must be fulfilled; in this way each individual life may also be fulfilled.

The hoop dancer dances within what encircles him, demonstrating how the people live in motion within the circling spirals of time and space. They are no more limited than water and sky. At green corn dance time, water and sky come together, in Indian time, to make rain.

As long as we avoid the creative, we are condemned to reaction.

We are the land. To the best of my understanding, that is the fundamental idea that permeates American Indian life.

Human beings need to belong to a tradition and equally need to know about the world in which they find themselves.

What the Indians are saying is that they are recognizing the right of wilderness to be wilderness. Wilderness is not an extension of human need or of human justification. It is itself and it is inviolate, itself. This does not mean that, therefore, we become separated from it, because we don't. We stay connected if, once in our lives, we learn exactly what that connection is between our heart, our womb, our mind, and wilderness. And when each of us has her wilderness within her, we can be together in a balanced kind of way. The forever, we have that within us.