Humor is widely used by Indians to deal with life. Indian gatherings are marked by laughter and jokes, many directed at the horrors of history, at the continuing impact of colonization, and at the biting knowledge that living as an exile in one's own land necessitates. . . . Certainly the time frame we presently inhabit has much that is shabby and tricky to offer; and much that needs to be treated with laughter and ironic humor.

My mother told me stories all the time... And in all of those stories she told me who I was, who I was supposed to be, whom I came from, and who would follow me... That's what she said and what she showed me in the things she did and the way she lives.

We are the land. To the best of my understanding, that is the fundamental idea that permeates American Indian life.

The hoop dancer dances within what encircles him, demonstrating how the people live in motion within the circling spirals of time and space. They are no more limited than water and sky. At green corn dance time, water and sky come together, in Indian time, to make rain.

There are many female gods recognized and honored by the tribes and Nations. Femaleness was highly valued, both respected and feared, and all social institutions reflected this attitude. Even modern sayings, such as the Cheyenne statement that a people is not conquered until the hearts of the women are on the ground, express the Indians understanding that without the power of woman the people will not live, but with it, they will endure and prosper.

Hoop Dancer is a rendering of my understanding of the process by which one enters into timelessness -- that place where one is whole.

Medicine people are truly citizens of two worlds, and those who continue to walk the path of medicine power learn to keep their balance in both the ordinary and the non-ordinary worlds.