All my movies are difficult to classify because they are very eclectic in mixing genres.

The 1980s really ended for me in 1992 with the film Kika.

I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.

After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.

All my movies are difficult to classify because they are very eclectic in mixing genres.

I think that there is always a part of utopia in any romantic relationship.

I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.