The digital tools allow us to have control over what and how we can alter an image that was unimaginable in the era of analog photography.

The digital tools allow us to have control over what and how we can alter an image that was unimaginable in the era of analog photography.

[Photography] is the non-complacence of the eye. To practice my right to look is also a critical attitude. If I stare at you, I will make you uncomfortable, and culturally we have a difficulty of staring and being stared at.

Before, the myth of photography doesn't lie was used in order to cover up tricks. If I [make a] portrait [of] you, accommodate you, illuminate you, put make up on you or use a filter, am I not manipulating reality? The only difference is that now I can do it from the computer in the postclick instead of the preclick. If I decide to photograph something instead of something else, I also manipulate reality. Of course a photograph can lie or commit abuse, but it always could.

I have always questioned everything: education, the obligation to memorize, authority. Perhaps that is why I have photographed everything.

At certain moments of intense personal grief, capturing images was for me the only way to comprehend later what was happening.

Merging photographs can be more real than the isolated image because reality is so much more rich than just an isolated moment.