I got introduced to the rave scene in 1992. At the time I was into skateboarding; I listened to a little hip-hop but was mainly into heavy metal and grunge.

I have a pretty normal office day. I get to work at 10 in the morning and leave at eight or nine.

For me marketing is about how to present a project.

The great thing about the electronic music scene is that everybody can be part of it either by dancing, DJing, or organizing a party.

When I first walked through the doors of Rex Club, I realized that I didn't have to travel to raves outside the city to enjoy techno.

At the time, in 1996, an electronic band signing with a major label was something new, at least in France. Daft Punk knew that this meant a marathon of promotion, TV appearances, etc. To protect themselves and to be discrete, they came up with the masks and, three years later, the robot helmets.

Some people started to call me "the King of No" because with Daft Punk we were saying "no" to everything.