A speech is poetry: cadence, rhythm, imagery, sweep! A speech reminds us that words, like children, have the power to make dance the dullest beanbag of a heart.

Our patriotic fervor was the result of the old and widespread belief in the idea of American exceptionalism, the idea that America was a new thing in history, different from other countries. Other nations had evolved one way or another, evolved from tribes from a gathering of clans, from inevitabilities of language and tradition and geography. But America was born, and born of ideas: that all men are created equal, that they have been given by God certain rights that can be taken from them by no man, and that those rights combine to create a thing called freedom.

The Democrats had long labeled the impeachment debate a distraction from the urgent business of a great nation. But the Republicans argued that the pursuit of justice is the business of a great nation. In winning this point, they caught the falling flag, producing a triumph for the rule of law, a reassertion of the belief that no man is above it, and a rebuke for an arrogance that had grown imperial.

I think miracles exist in part as gifts and in part as clues that there is something beyond the flat world we see.

Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren't a little flower somebody sewed on.

Read good, big important things.

What conservatives and Republicans must recognize is that the White House has broken with them. What President Bush is doing, and has been doing for some time, is sundering a great political coalition.