There should be a name for this, for the process whereby one knows one is being yanked and concedes it has been done successfully - that one is grateful to have been spun. In the theater, it is called the willing suspension of disbelief. That's what allows the play to make an impact on the audience: they have to be able to make believe that what's happening on the stage is really happening. Maybe to a degree it is a requirement for all political participation, all effective political communication, too.

What I got was not so much gifts and whishes come trues but a feeling of peace. I got peace itself, actually. And when you have peace, you can be strong; and when you are strong, you can get through what you have to get through, and not with exhaustion and frown marks and slumped shoulders but with relative happiness, and humor, and sometimes even gaiety.

Some of the stupidest brilliant people who ever lived.

In the 1950s and '60s the [democrat] party included many obviously earnest and thoughtful liberals who supported goals that were in line with and expressions of serious beliefs. They believed that America was an exceptional country.

Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren't a little flower somebody sewed on.

Most people aren't appreciated enough, and the bravest things we do in our lives are usually known only to ourselves. No one throws ticker tape on the man who chose to be faithful to his wife, on the lawyer who didn't take the drug money.

Speeches are not magic and there is no great speech without great policy.