Looking back, I think I tried to be too eclectic. Sometimes I'd sing thirty songs, and fifteen of them were not in English.

I'm still a communist in the sense that I don't believe the world will survive with the rich getting richer and the poor getting poorer - I think that the pressures will get so tremendous that the social contract will just come apart.

He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.

I guess I've learned more from the Clearwater than anything else. All I did was help to plant a seed, and I didn't know what the hell I was doing.

Being generous of spirit is a wonderful way to live.

There is something about participating; it is almost my religion. If the world is still here in 100 years, people will know the importance of participating, not just being spectators. Millions of small groups around the world, that don't necessarily all agree with one another, are made up of people who are not just sitting back waiting for someone to do things for them. No one can prove anything, but of course if I didn't believe it had some kind of power, I wouldn't be trying to do it.

I try to sing many different kinds of songs. If I sing a batch of humorous songs, I'll throw in a deadly serious song. Or if I'm singing too many serious songs, I'll throw in a ridiculous song, to mix it up.