I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'

For a while I was perfectly happy not performing with 'The Who.' From 1982 to 1989 I felt 'The Who' did not exist. I let the band go, in my heart. However, Roger Daltrey had other ideas. He would not let go.

Your love is like heroin.

Give love, and keep blood between brothers

What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.

A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending.

I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.