I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.

I tend to not have to handle things that are probably gonna end up being irrelevant, that aren't gonna have much to do with the film. I have probably a better understanding of really what does matter, when to pick my battles and when to kind of let them go.

You might make a lot of money, but it's very hard to get out from under that rug. The more you can reinvent yourself, the better - and unfortunately TV is designed not to let you redesign yourself.

It's always an interesting sort of adventures that gets someone into a movie.

I believe that anything in this world is fair game for a creative exercise.

Hollywood is not stupid, contrary to popular belief; it's really a lot of intelligent people trying to figure things out.

People know I love to shoot action and that I'm not afraid of emotion.