Our prime minister could embrace and forgive the people who killed our beloved sons and fathers, and so he should, but he could not, would not, apologise to the Aboriginal people for 200 years of murder and abuse. The battle against the Turks, he said in Gallipoli, was our history, our tradition. The war against the Aboriginals, he had already said at home, had happened long ago. The battle had made us; the war that won the continent was best forgotten

What I find really attractive is something that's going to be a little dangerous. Something that might get me into trouble; you know, you turn up in London and you've just rewritten Dickens. And, of course, then you think, 'What have I done?

Being famous as a writer is like being famous in a village. It's not really any very heady fame.

Living where I live New York I don't think anyone's going to make a fuss. But it is more deeply satisfying because it's of your place and means that you aren't forgotten; someone's noticed what you have been doing with your life.

(From the story The Last Days of a Famous Mime) He said nothing. He was mildly annoyed at her presumption: that he had not thought this many, many times before. With perfect misunderstanding she interpreted his passivity as disdain. Wishing to hurt him, she slapped his face. Wishing to hurt her, he smiled brilliantly.

If you ever read one of my books I hope you'll think it looks so easy. In fact, I wrote those chapters 20 times over, and over, and over, and that if you want to write at a good level, you'll have to do that too.

The great thing about using the past is that it gives you the most colossal freedom to invent. The research is necessary, of course, but no one writes a novel to dramatically illustrate what everybody already knows.