Yeah, in the digital world, it is so much easier to put stuff out without a great deal of paraphernalia and fanfare.

I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.

When we started OD2 in 1999, we were really expecting to work more with independents and so on because the major labels were spending millions on their own Pressplay and equivalents online, which haven't been very successful.

Holding still for a moment, what a moment this is, Oh for a moment of forgetting, a moment of bliss

I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.

We've got to get in to get out.

I stood in this unsheltered place, 'til I could see the face behind the face.