Careful observation will confirm that virtually all spontaneous parapsychological events occur through some form of sleight of mind. It is invariably something hovering just below the threshold of awareness that initiated an unusual event or gave one a curious half sensed feeling that something was about to happen just before it did. The magician seeks to exploid this effect deliberately, but in doing so he must avoid doing it deliberately as it were. Conscious lust of result destroys magical effect, so trickery must be employed to annul it and to activate the subconscious.

Space, time, mass, and energy originate from Chaos, have their being in Chaos, and through the agency of the aether are moved by Chaos into the multiple forms of existence. Some of the various densities of the aether have only a partial or probablistic differentiation into existence, and are somewhat indeterminate in space and time. In the same way that mass exists as a curvature in space-time, extending with a gradually diminishing force to infinity that we recognize as gravity, so do all events, particularly events involving the human mind, send ripples through all creation.

That which is denied gains power, and seeks strange and unexpected forms of manifestation.

So many people seem to spend their lives trying to appear normal, predictable and consistent to themselves and those that surround them. They just end up bored with themselves, bereft of any depth of inner resources, suffocated by the inhibitions that defend their own monolithic identities.

As a great master once observed: "There are two methods of becoming god, the upright or the averse." Let the mind become as a flame or a pool of still water.

In Chaos Magic , beliefs are not seen as ends in themselves, but as tools for creating desired effects. To fully realize this is to face a terrible freedom in which nothing is true and everything is permitted, which is to say that everything is possible, there are no certainties , and the consequences can be ghastly.

In Chaos Magic, beliefs are not seen as ends in themselves, but as tools for creating desired effects.