To people in my industry I'm usually a guy that tries to generate his own projects and I remain very elusive when people try and attach me to big projects.

The most honest form of filmmaking is to make a film for yourself.

Actors will never be replaced. The thought that somehow a computer version of a character is going to be something people prefer to look at is a ludicrous idea.

The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.

I was bullied and regarded as little bit of an oddball myself.

[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.

Structure is important in film, but there's often structure to be found in the most unlikely of places! It's quite possible to build a structured story and retain idiosyncrasy.