The crime genre's always been regarded very well by the literary end of the book world, whereas horror, although it had that spell in the late eighties, by and large, it's sort of ghetto-ized, and considered to be exploited literature.

Women are afraid of walking at night, that someone pulls them into an alley and rapes them. That almost never happens. I mean, 98% of people who are raped, are raped by somebody they know. Somebody goes too far. But the destruction is just the same.

There's a really classic cliche every time you switch the TV on - you see cops arguing. I have spent a day a week for many years in the presence of police and I have never seen them argue. It's a military hierarchy. They do what they're told. There's no bickering.

Every profession has its own culture, but the police look at the world differently to everybody else. I call it a 'healthy culture of suspicion'.

Every novel starts with a theme, and I am constantly looking for big ideas.

I think that Brighton, for a crime writer, is almost like a character.

There's a difference between what I call a dumb ghost and a smart ghost. The smart ghost is Hamlet's father - you know, he says, "Get revenge, my son!" That's incredibly rare. It's much more the grey lady in the same place everyday, moving across the floor.