I didn't take inspiration from other photographers, which in a way helped to find my own images.

Your inspiration is better if it comes from many different sources and your sensibilities will transform all those influences and inspiration into your own visual world. It's like reading the book instead of watching the movie.

I bought my first camera to photograph my brother's children. I learned a lot from that experience. The value of innocence and of not being focused on yourself, and I have to say that these things have remained with me to this day. I can immediately feel when someone is putting on a camera face.

A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.

Isn't art about breaking rules, about challenging existing systems, isn't it about discovering meaning in things or situations before others see anything in them??

I remember how difficult it was to perform certain operations on gelatine prints. A few weeks ago I asked my gelatine printer at Picto, "Can you make just the shadows a little bit brighter?" He gave me a very strange look because in Photoshop you just turn a button, and we're used to that now, but it is totally impossible in gelatine silver printing.

My feeling is that for years now it has taken a much too big part in how women are being visually defined today. Heartless retouching should not be the chosen tool to represent women in the beginning of this century.