In the beginning of my twenties, I started transcendental meditation. For years I did nothing else. Every holiday I went to courses. Meditation is a real simple instrument. You don't need a long beard or a sari. It's meant to bring you to yourself. It's as easy as that. And that's what it's all about, being alone with yourself every day, for 20 minutes in the morning and 20 minutes in the evening.

Now people ask whether photography is art, but I think the question is of absolutely no interest.

I have a very big apartment in Paris but you can't really move around there anymore; piles of books everywhere. I don't want any more books. I have too many books; sometimes I have to buy another copy of a book that I know I have somewhere in my house or office because I can't find it.

My feeling is that for years now it has taken a much too big part in how women are being visually defined today. Heartless retouching should not be the chosen tool to represent women in the beginning of this century.

I believe that the source of your inspiration is very important. I sometimes see this problem with photographers, even very good ones, who have drawn too much inspiration from photography and who, over time, have a problem forming their own identity.

I started photography more or less by accident when I was already 27. I was taken on as an assistant by a photographer who was a friend of a friend and I very quickly understood the potential of expression in photography.

I would love to photograph Angelina Jolie. A friend of mine is working with her on her next film and told me what I was already suspecting, that she is extremely interesting. I have never seen a picture of her that conveys all of her complexity. That would be a fabulous challenge, to find that in a photograph.