You don't underestimate either players or audience in any circumstances.

If you aim at anything lower that is expecting your audience to be really alert and aware, then you're going to be caught out sooner or later as a composer.

Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.

You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink them, either.

There’s no card, business card, better than a compact disc for a composer. It doesn’t half impress people and they get a long way on it ... these composers they will get more performances, more commissions, more recognition just by having that disc

I'm not actually teaching any more, but I am writing pieces for schools all the time, and for kids.

If you don't get feedback from your performers and your audience, you're going to be working in a vacuum.