I'm very interested, for instance, in music in education - getting young people not only to listen to, but participate in the music that I write. I consider this one of the most vital aspects of my work.

I'm not actually teaching any more, but I am writing pieces for schools all the time, and for kids.

I know what I want at least, and the older I get I think I'm better at getting it out of players and singers.

The present government is very insistent that business sponsorship should replace government sponsorship of the arts. Business sponsorship won't happen unless you make tax concessions, which they won't.

There’s no card, business card, better than a compact disc for a composer. It doesn’t half impress people and they get a long way on it ... these composers they will get more performances, more commissions, more recognition just by having that disc

You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink them, either.

You don't underestimate either players or audience in any circumstances.