We don't want emotion handed to us - that's not emotion. You have to build and come from the reader's soul.

A stellar, fully-realized collection of stories... grounded, wonderfully, in the river valleys of western Maine. You come away not only understanding a place but the soul of its people.

I've spent a lot of time in prisons, first doing legal work and later, teaching.

To me, and I'm sure for other writers, too, characters come back and they relive again, but what about those characters who only live for a page or two? Or for five pages or 10 pages. I like to think they're still out there - still living - but for me they kind of die, too. It's kind of sad. I don't think about them anymore unless I give them life again.

We don't want emotion handed to us - that's not emotion. You have to build and come from the reader's soul.

My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.

I sometimes wonder if our memories are a myth. We think we remember, but we are remembering the story and not the actual event?