As a professor I can't teach writing.

I have a friend who teaches yoga (or is it pilates?), and she said that I don't seem to live in the moment. And I said, "Exactly!" I'd go nuts if I lived in the moment.

My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.

Actually, you’re not famous at all. Maybe you’ll get some traction after you’re dead?

Lot of stories in deceit, how characters deceive other people, but most of all, I think, how they deceive themselves. We're not as tricky as we think we are.

We don't want emotion handed to us - that's not emotion. You have to build and come from the reader's soul.

There's a great Anton Chekhov quote. He says, "The Russian loves recalling life, but he does not love living." That scene has always been something that I have held dear. When something happens, the first thing you want to do is tell it. That's almost more exciting. It's almost simultaneous with the experience; you are already telling something incredible while it's happening. The stories that everybody carries around and repeats, I am really interested in that.