I think anything we do - eating, walking down the street, online shopping - gives you another perspective on writing stories.

I've spent so many years living in one place and imaging another.

I write by hand in my notebooks and number the drafts, so I know how crazy I can get with this. Some writers, like my teacher Marilynne Robinson, she only writes one draft. I've thought about this a lot; I think it's because she writes it 80 times in her head before it comes out.

One story I've been trying to write for years, and haven't been able to finish, is about a face I saw, just a glimpse of a face, in a max security prison in North Carolina. I'm still trying to understand what I saw in that guy's face.

I try not to read my own books just because I would rather read somebody else.

I usually have a location and then I put the character there. I love place names. I think I'm tricking myself by being so specific - it suddenly becomes real to me. Just because I say it's Chicago, Illinois doesn't mean it's true, but place names sort of make me grounded and then I can put some people there.

What you can do with a short story that you can't do with a novel is punch someone in the gut, in the best of ways.