I'm pretty tight - I rewrite, in some cases, 70 to 80 times before I show it to people.

I've spent so many years living in one place and imaging another.

There's a great Anton Chekhov quote. He says, "The Russian loves recalling life, but he does not love living." That scene has always been something that I have held dear. When something happens, the first thing you want to do is tell it. That's almost more exciting. It's almost simultaneous with the experience; you are already telling something incredible while it's happening. The stories that everybody carries around and repeats, I am really interested in that.

Actually, you’re not famous at all. Maybe you’ll get some traction after you’re dead?

We don't want emotion handed to us - that's not emotion. You have to build and come from the reader's soul.

I used to be surprised and a little annoyed when characters would reappear in my mind, itching to be in another story. Now I realize it's part of the deal, that you create these people out of thin air but then, if you do it right, they actually live.

Like no other writer in contemporary American literature, Brock Clarke has a way of looking at us, I mean looking straight at us--warts, lots of warts, and beauty and hypocrisy and love, too, the gamut. And hes done it again in this brilliant The Happiest People in the World, a novel that is as hilarious and thought-provoking as it is ultimately, deadly, deadly serious. I for one am grateful hes out there--watching our every move.