If all the circumstances of acting are made to easy, then there's no grain of sand to make the pearl.

I don't spend a lot of time judging anyone I play. Even if their function in the script is to be the villain, I concentrate on what their perspective of the events is. Not even to justify them.

The oceans are pretty unexplored places and the final frontier on our planet; also because they're the source of life. There are dramatic things happening to them at the moment, and they're worth exploring.

Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.

I frequently gravitate toward characters that have some urgency or soul.

Depending on what stage I'm at in my career, I either work or don't work because I've been offered one thing.

I like anything that is like an obstruction, something that I have to act through is good.