Peter Sarsgaard Quotes

I just pick the best roles that are left over, and they usually aren't the heterosexual, leading-man, non-drug-addict parts. And once you get into doing them, people know you do them.

I like working with a first time director. I'm more likely to work with a first time director than I am a second time director.

I mean I don't think it got me interested in acting. I think it might be what makes it so that I can have the idea of the variety of people in the world, different incomes. That helps. When you're going to play someone it's interesting and nice to see experiences that aren't like yours. But there's always the remarkable similarity of all people.

If you go in and audition for roles rather than just be offered them, then you kind of get a chance to kind of discover that you can do something that you didn't think you could do.

The oceans are pretty unexplored places and the final frontier on our planet; also because they're the source of life. There are dramatic things happening to them at the moment, and they're worth exploring.

I still consider myself a young actor, I'm 34; I still view it as the beginning of my career. You can get infatuated with acting in a way that makes you less an actor than an acting appreciator.

It is very possible that I could have ended up on 80 acres of land by myself, and fallen in love at a distance with a gorgeous woman I could never have been with.

To me, one of the main things that a director does is create the tone of his movie.

Depending on what stage I'm at in my career, I either work or don't work because I've been offered one thing.

If all the circumstances of acting are made to easy, then there's no grain of sand to make the pearl.

I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.

I like anything that is like an obstruction, something that I have to act through is good.

Usually the way I think someone is radicalized is through a personal experience. The thing about environmental activism is that we are all having a personal experience with our environment, whether we open our eyes or not.

I would like to sail across the Atlantic. I would like the experience of being that far away from land.

If no one on the movie has met me before or knows me, that's the easiest. I don't do a lot of things that don't relate to being the person. I will try to keep it going for my other actors. I want them to do the least amount of pretending as possible.

The only way to silence a room that's laughing at you is to sort of take over.

I don't really worry about being typecast much. I mean, everyone in Hollywood is typecast to a degree.

I've always looked at the world as a place where people have done evil things. There are people in the world, for instance, that would describe Americans as evil.

I tend to lose my performance energy the longer things go on for, so I'm always best on the very first take.

I like to work as an actor. Not just for money, but because I really enjoy acting.

I see how people boss other actors around to try to get a scene favorable to them. I absolutely just never engage in doing that. If someone's going to do it to me, I just let them have it.

You want to do something, you want to have the bravery to do something original. And there will always be people who are like, the classicists who are like, 'No, but it's got to have this.' In life, there are people like that attached to every single thing that there is. These are the same people that are like, still playing vinyl.

Who would I least want to hang out with? Probably John Lotter. I guess I have a place of understanding for everyone I've played.

Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.

Words are words, but the way an actor says them, the way it's framed, puts you either in the world that looks a lot like ours or one that doesn't seem a lot like ours, one that can be farcical or one that can't.

I frequently gravitate toward characters that have some urgency or soul.

I don't spend a lot of time judging anyone I play. Even if their function in the script is to be the villain, I concentrate on what their perspective of the events is. Not even to justify them.

I always think change is important in a character. The most dynamic choices that you can make for a character are always the best ones.

Im okay with being unimpressive. I sleep better.