When I step back from any moment of crisis that I've ever had, I'm always struck by how humor and tragedy can kind of live in the same moment, holding hands together. How life can go from the ridiculous to the sublime to the tragic all in one breath.

It's always nice to have a large role, but if it's a great small part, those can be so much fun. Size is less important than quality, always.

My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.

When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.

If you're in something and you feel like it's not going well, what can you do about that? It's out of your hands. No matter what you do, you're not going to fix that as an actor.

I did my friend's film - this guy Harrison Atkins who's a great filmmaker. He just makes movies with all his friends, and I think that's all what we're striving for - to feel like we're among friends and people who care about each other. I'd like to think that good work comes from that - from a sort of loving and friendly environment.

When I step back from any moment of crisis that I've ever had, I'm always struck by how humor and tragedy can kind of live in the same moment, holding hands together. How life can go from the ridiculous to the sublime to the tragic all in one breath.