I don't want to end up being a circus act, doing my most famous tricks when I'm 70.

I learn a lot from my experiences and collaborations. Most of my collaborations are meant for me to learn.

It's cool that you hear something, but what did you feel and what was your tactile and kinesthetic response to it? Those songs and creative sessions mean the most.

I just like being a kid. I enjoy it, I don't want to grow up.

Fashion is far more about really feel than science.

It's not what you're wearing, it's the way you wear it.

That's sort of what I try to do with music: to harness whatever energy is already there and see where that momentum takes me. Sometimes you're spinning that oncoming momentum in a different direction, or sometimes you're coercing it to consider itself, or sometimes you're holding it up to a mirror. But I don't really like to interrupt and come in and destroy everything and start all over. I'm not that kind of guy.