All things in the world are singing a song, reciting a poem, inaudibly, to their surroundings, to the things they encounter.

I like the idea of politically charged music a lot, but it usually seems to be preaching to the choir and ineffective.

It's a beautiful idea to focus on how everything is temporary and always in flux. It may feel bad now, but it will feel good later, and vice versa. To write about those things brings this satisfying feeling as a creative person. There's a lot of music out there that's like, "I'm so mad! I'm sad! I'm into skulls and crossbones and the color black," and that's just meaningless and shallow. So much of metal is about that and it's hard to find metal that is substantial and meaningful in terms of its content.

I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.

I think that I probably inevitably fetishize nature, although I try not to, because it's kind of embarrassing, repulsive behavior. I think it's just an extension of me being old-fashioned.

Twitter is so stupid. I mean, it sucks! It's not a good way to communicate and it's really difficult to use it for any functional thing.

I was going to tweet every three seconds about every thought that went through my mind, and I did that for a few days. It was really fun, and funny to me.