First, my frame of reference for the Britten opera shifted. I'd always thought of Britten's approach in Death in Venice as another exploration of the plight of the individual whose aspirations are at odds with those of the surrounding community: his last opera returning to the themes of Peter Grimes. As I read and listened and thought, however, Billy Budd came to seem a more appropriate foil for Death in Venice.
Philip KitcherWas Mann himself fully aware of all the facets of his irony? Probably not - any more than Shakespeare was fully aware of all the riches subsequent critics have found in his plays.
Philip KitcherI don't think readers of Mann have overlooked the fact that he was a great ironist, but they have tended to see the irony in particular parts of the novella, and to miss it in others.
Philip KitcherA different vision of ethics is that of a collection of resources people can use to act better. The resources might be firm rules that could always be relied on. Or they might be ideals that could often be followed without thinking but that sometimes conflicted with one another.
Philip KitcherI'm very suspicious of the idea of a "final theory" in natural science, and the thought of a complete system of ethical rules seems even more dubious.
Philip KitcherThe "little theme" from Vinteuil, heard by Swann as emblematic of his love for Odette, remains a point of reference for him, as the character of that love changes and as the love eventually fades.
Philip KitcherThere are actually two separate issues here. The first is whether (as ancient philosophers and Nietzsche assume) only the privileged elite can live a worthwhile life. The second is whether it's possible to fulfill the roles of both serious artist and upstanding citizen. It seems to me that philosophy can dissect both questions, by delineating clearly the anatomy of the good life and the structural conditions of the roles.
Philip Kitcher