The state of mind which I put myself when I tell a story is one in which superstition flourishes very easily. And I welcome that because it helps me.

I seemed to have spent the whole time either reading, which I loved, or laughing, which I love, or fooling about, which I loved. There was the usual teenage angst: "Nobody understands me" and "I'm the only genius in the world" and all that stuff. But that didn't get very deep.

I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text.

I know whom we must fight...it is the Church. For all its history, it's tried to suppress and control every natural impulse.That is what the Church does, and every church is the same: control, destroy, obliterate every good feeling.

The Lord of the Rings' is fundamentally an infantile work. Tolkien is not interested in the way grownup, adult human beings interact with each other. He's interested in maps and plans and languages and codes.

I don't profess any religion; I don't think it's possible that there is a God.... My books are about killing God.

A murderer was a worthy companion.