When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.

Dali likes me taking his picture because he is interested in pictures that do not simply reproduce reality. Even in photos he prefers to appear outside reality .That is surrealistic!

Of the thousands of people, celebrated and unknown, who have sat before my camera, I am often asked who was the most difficult subject, or the easiest, or which picture is my favorite. This last question is like asking a mother which child she likes the most

I know of few actresses who have this incredible talent for communicating with a camera lens. She would try to seduce a camera as if it were a human being.

The immortal photographers will be straightforward photographers, those who do not rely on tricks or special techniques.

In a jump, the subject, in a sudden burst of energy, overcomes gravity. He cannot simultaneously control his expressions, his facial and his limb muscles. The mask falls. The real self becomes visible. One only has to snap it with the camera.

In my serious work I am striving for the essence of things and for goals which are possibly unobtainable. On the other hand, everything humorous has great attraction for me, and a childish streak leads me into all kinds of frivolous endeavour.