The children, each of those kids is in touch with nature and traditional aboriginal culture so a very important part of getting performances from them was just letting them be and trying to capture the unique spirituality that was in each of them.

So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history - and history of repression.

Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face.

You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank.

People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct.

Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature.

I remembered the 500 people that lived on a reserve outside my little town, behind a big fence.