So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history - and history of repression.

You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank.

People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct.

Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature.

The children, each of those kids is in touch with nature and traditional aboriginal culture so a very important part of getting performances from them was just letting them be and trying to capture the unique spirituality that was in each of them.

A collection of huts surrounded by a barbed wire fence, and in the huts lived 500 of the original inhabitants of our area. And so it went with many country towns around Australia.

Obviously all of us have thought about Vietnam, particularly in my generation in Australia that were part of conscription and fought there. Our friends came back, forever changed. So there were a lot of questions.