Sometimes you take time off, and then you look around and you go, "Hello. What happened? Oh dear!"

America gave me the great glory of coming into people's homes every week and allowed me to last as long as I have.

I had to make a living. I had the mortgage to pay, I had the school fees to pay. I had bread and butter to put on the table. You know your worth as an actor, but you have to get a job.

I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.

I'm not very comfortable with watching my performances. I don't particularly find a great joy in it. Everything is the process of making it, of getting it, getting the job, saying yes to the job. Those are the joys. Making it is the greatest joy. And then, you have to show the bloody thing. You have to show and tell, be judged. But I don't listen. I don't pay much attention. I hear the rumblings of greatness or the arrows of discontent and harsh words. Then you go, "Oh God. Why?"

Being with my wife and children in Kauai, seeing old friends there, being on the beach, painting, paddleboarding. Sitting under a Kauai moon with a bonfire going, buddies around. Those are the things that kind of make my world turn.

I certainly got the jokes within the joke, dressing up in a wet suit, sitting in a Twingo, scaling a rubber mountain, dressing up and stealing a diamond, of course. If not now, when?