It felt after the Bonds, after my four outings as James Bond, there seemed to be unfinished business. And the way that the Bond finished in my life and the demise of Bond going off stage left into the night, it seemed like there was a certain void there, as they say, of unfinished business.

Love is a lot like dancing; you just surrender to the music.

It felt after the Bonds, after my four outings as James Bond, there seemed to be unfinished business. And the way that the Bond finished in my life and the demise of Bond going off stage left into the night, it seemed like there was a certain void there, as they say, of unfinished business.

And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening."

I'm not very comfortable with watching my performances. I don't particularly find a great joy in it. Everything is the process of making it, of getting it, getting the job, saying yes to the job. Those are the joys. Making it is the greatest joy. And then, you have to show the bloody thing. You have to show and tell, be judged. But I don't listen. I don't pay much attention. I hear the rumblings of greatness or the arrows of discontent and harsh words. Then you go, "Oh God. Why?"

I don't see myself as the 'Hunk of the Month'.

You have to move forward. It's constantly changing. Everything changes and everything falls apart. You have to be nimble and on your toes and accessible to it all. Not everyone is on board with this.