My mother was the prettiest woman in the town. He was a bit older than her. They made me. And he split.

And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening."

I found myself in the changed man theory the other night thinking, "Yeah." I thought, "My god. If we could do this again," but there was nothing specific there. There's just the kind of vague sensation of how I'd like it to go. I allowed myself that gift to think that.

Many people think that hunger is unavoidable in any society, even a society that is blessed with great abundance. That is not true. The European community does not have widespread hunger. America, which leads the world in so many ways, can end childhood hunger within its borders.

There's no question about it. Beaumarie St. Claire and I, we created Irish DreamTime after GoldenEye hit. We made movies like Thomas Crown and The Matador. And in between my stints as James Bond, I'd go off and I'd do something like The Matador or Tailor of Panama, which was spy related, just so I could shake it up. It's a genre which really appeals to me.

I love these kind of movies as a kind of cinema-going geek myself. Those characters, you want to be like those characters when you go to the movies. You know, when you see a movie with a guy who's really cool and the killing's slick and easy. I don't know. There's something intoxicating about it.

It will be very hard to get out of Bond. It will be the pictures I do between Bonds that will color my career, that will give my career longevity after this franchise is over ... I will be stamped with this character for life.