I didn't want to imitate anybody. Any movement I knew, I didn't want to use.

When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.

I'm not interested in how people move; I'm interested in what makes them move.

I loved to dance because I was scared to speak. When I was moving, I could feel.

I'm not so interested in how they move as in what moves them.

I am more interested in what moves people, than how they move.

Your fragility is also your strength.