When I close my eyes, my imagination roams free. In the same way I want to create spaces for video art that rethink the very nature of the medium itself. I want to discover new ways of configuring the world, both the world outside and the world within

The main reason for civilization is that life is more comfortable. In a way, houses are there to protect us from rain, cold, and heat; cars are there to overcome distances. Culture is the exception. Music, art, and all of the different cultural expressions are not going in that direction. They're not about comfort; they're about understanding each other.

It will probably take several more generations before the female body can be considered a stand-in for the human body.

First I did animation films, when I was young, in time-lapse. And then in the '80s I went directly to video. The main reason for that was that I could control all the steps.

Sexuality, eroticism and desire are important for all of us. But that is also the contradiction. How can we speak about pictures and, for example, say no to this way of representing a woman's body? It's also a camera-and-object problem, of who is really guiding the camera.

The smaller the group, the more trial and error and experimenting you can do. I do a lot of garbage.

I always try to create equal power between the subject and the object, so as not to end up creating a relationship where the camera is here and the object out there. This is for me a very difficult and sensitive balance. When I produce a work, cut and frame images, I realize that spectators can identify with the images and almost forget that someone else actually made them. This would be the optimal situation. I don't know whether I succeed in doing so, but that's what I would like to have happen.