I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.

Fly with me, touch the face of the true God. And then cry with joy at the depth of my love.

Some people, like Leonard Cohen, write one album every 10 years, and labor over a song for five years at a time.

I was really influenced by a lot of Disney soundtracks, because that's what I used to watch all the time, and they always put music in it, which is why I tend to have popular melodies over harder beats.

People want to build musicians into mythical beings.

It's good to feel excited by the environment you're in.

When a poem might become a song, then certain parts are repeated and might become a refrain or a chorus, so they change in that way. But it's more the nature of the words and what they're saying that determines whether it's a poem or a song.