I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.

You can sing a very aggressive word in such a way that it's very funny. You can change words, completely turn them around on their head so that they mean exactly the opposite of what they are written down. There are endless possibilities which I think Diamanda Galás is doing already. She turns everything upside down by the way she sings it. She makes you feel nauseous or horrified or ridiculous just by her voice. I think that's an incredible power.

I feel that my dreamscapes are part of my everyday life, and sometimes I can't tell the difference.

If I ever meet a writer or a painter, I don't presuppose that they are like the work they are presenting.

I firmly disbelieve that one has to be a tortured soul to write good music.

I've so much left to explore, it's enormously exciting to me. It's a passion. I just try and get better at what I do, and I study it very hard, like it is my life degree.

I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.