Singing becomes a form of therapy.

The public is a part of my real life.

This season, over eight productions, I am presenting four young tenors.

The public made me and then encouraged me for many years, and my future even now depends upon it.

Let us be clear: I take ten times more money for a concert than for an opera performance.

Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.

When it becomes clear that no one else shares your level of passion, you are where you belong.