I have always studied my parts with the orchestral score and not with the piano reduction.

In the last century, everybody was singing lower.

Should it happen tomorrow, I would fall to my knees to give thanks to God for such a career.

Honestly, if the public still wants to hear me in some works, I have to go down a half step.

When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.

Every three days on average, I am alone on stage, facing the public.

It is strange, but nobody is shocked when pop singers make a fortune in the space of two years.