I attended less than two years of Conservatory in Mexico City.
When a young artist is ready, one has to bring him into the limelight.
When working with an orchestra, you never spend more than 20 minutes per recording session.
Every three days on average, I am alone on stage, facing the public.
With my personal preparation at the piano, I can afford to hum at half voice.
The public is a part of my real life.