This season, over eight productions, I am presenting four young tenors.
When working with an orchestra, you never spend more than 20 minutes per recording session.
Every three days on average, I am alone on stage, facing the public.
The high note is not the only thing.
Let us be clear: I take ten times more money for a concert than for an opera performance.
When it becomes clear that no one else shares your level of passion, you are where you belong.