When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.

I have always studied my parts with the orchestral score and not with the piano reduction.

In the last century, everybody was singing lower.

Every three days on average, I am alone on stage, facing the public.

When working with an orchestra, you never spend more than 20 minutes per recording session.

I am never wrong when it comes to my possibilities.

With my personal preparation at the piano, I can afford to hum at half voice.